Joan Bagès i Rubí spielt in folgendem Konzert des Beethoven Piano Club:

Joan Bagès i Rubi (Lleida, 1977) is a pianist, sound artist, and composer with an international career. His pianistic activity is vast and varied, having performed at prominent venues such as the Círculo de Bellas Artes in Madrid, the Palau de la Música Catalana, the Auditori de Tortosa, and the Auditori de Terrassa, where he presented theMozart Reload project. He is currently preparing the Concert for Prepared Piano and Chamber Orchestra by John Cage, which will be performed at the Auditori de Girona in 2026, continuing his work in fusing acoustic music, electronics, and video.
He currently has more than ten different piano programs, including the solo piano program FOUR WALLS, recorded at the Auditori de Lleida with the support of the MENUET SPECTRAL Association of Lleida.

He studied piano at the Conservatori Superior de Música del Liceu in Barcelona, where he obtained the title of Piano Professor, and worked with masters such as À ngel Soler. Additionally, he has collaborated with Vladimir Karpov (Russia/Spain) and Jean-Pierre Dupuy (Spain/France), and has received guidance from Gian Franco Ricci and Andras Kemen. His pianistic repertoire spans various genres and aesthetics, from free improvised music with his solo project From the Ruins (piano and electronic music), to minimalist, neoclassical, and contemporary music with electronics and video.

In addition to his career as a pianist, Joan Bagès is a composer and sound artist. He studied composition in Spain, France, and Germany, and his work includes instrumental music, electroacoustic, acousmatic, and sound installations. His research focuses on „Spectro-Morphological Composition in Differentiated Layers within a Holophonic Creation Framework,“ a line of work that integrates electronics and multimedia. He has developed graphic notation systems derived from conventional notation and the concept of „sound score,“ as well as interactive musical systems. His work seeks to establish new relationships between the work, musician, and audience, with an innovative approach that explores the connections between music and new technologies. His electroacoustic opera IB: Le Cornu Ancestrale was recorded live in concert in
Luxembourg.

Joan Bagès was a guest composer at the OFF LICEU festival in Barcelona, and his works have been recognized in international competitions and performed in several countries. As an electroacoustic organist, he created the Discontinuum Energetic program, which explores the interactions between the pipe organ (considered an „analog synthesizer“) and electronic music, offering a unique proposal in the world of contemporary music.